Our Board
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Nicholas Peters (Interim Chair)
Nicholas Peters is a dedicated and experienced professional with almost ten years in accounting and finance, primarily in ASX-listed companies. He has a proven track record of managing statutory reporting, compliance, and internal control processes, with a keen focus on driving financial transparency and organizational growth.
In this role, his contributions extend to strategic decision-making, hiring, and financial oversight, ensuring that Soundstream continues to foster collaboration and innovation in the world of contemporary music.
Nicholas holds a Bachelor of Commerce (Accounting) from the University of Adelaide and is a Chartered Accountant. His passion for community work extends beyond the arts, having also volunteered with the St Vincent de Paul Society’s Fred's Van, providing essential services to homeless and disadvantaged individuals.
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Dr Gabriella Smart (Artistic Director and Public Officer)
B. Mus., M. Mus. (Res), PhD
Gabriella established Soundstream: Adelaide New Music in 1993, and continues as its Artistic Director. She received a Churchill Fellowship in 2010, and a Helpmann Award in 2009.
Gabriella is a passionate exponent of contemporary music, and has given award-winning premieres of Australian compositions. She has performed widely throughout Australia, and internationally, promoting the works of Australian composers. As a concert pianist, Gabriella has performed in the Melbourne and Adelaide Festivals, MONA MOFO, TURA (Perth), and in Europe and China. In 2010, she represented South Australia at the World Expo in Shanghai. Gabriella has given numerous live and recorded broadcasts for ABC Classic FM.
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Dr Nayia Cominos
PhD, MA
Dr Nayia Comino is a researcher, educator and consultant in communication, language teaching, and linguistics specialised in clinical communication, medical discourse, indigenous education, CALD, and academic literacy. She has worked extensively in senior management in education, marketing, and merchant banking, in Australia and France. Currently, she is a senior lecturer in health professions education in the prestigious Prideaux Centre, Flinders University. She is a longstanding advocate of the Arts, in particular new music, and has been a member of the Soundstream Board since 2009.
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Emily Tulloch
Emily Tulloch is an arts leader and musician working as an artistic director, facilitator, violinist, and composer-arranger, with a passion for the creation, instigation, and support of contemporary music in Adelaide/Tarntanya, and beyond.
Emily is the CEO and Artistic Director at Nexus Arts, where she leads the organisation in their presentation and development work with culturally and linguistically diverse and First Nations artists, promoting an intercultural vision of Australian contemporary arts. Emily has been a core member of the COMA (Creative Original Music Adelaide) committee since 2007, working on the presentation and promotion of original music in Adelaide and running twice monthly concert presentations continuously for nearly 20 years.
She was a member of Zephyr Quartet from 2005 to 2020, and with the ensemble created critically acclaimed, award-winning shows; performed internationally and across Australia; received two Ruby Awards for Innovation and three APRA/AMCOS Australian Art Music Awards.
Recent projects include co-composition and recording the score for Restless Dance Theatre’s ‘Exposed’ and cocreation of the show ‘Needle in the Hay: the music of Elliott Smith’. Her strong connections to the artistic community in South Australia have seen her called upon as an assessor and juror for local and national assessment panels including the APRA Art Music Awards, the Australian Women in Music Awards, and for the Australia Council for the Arts and many other funding bodies. -
Paul Mason
Paul Mason is a specialist music consultant, with experience in broadcasting and government. From 2009-2019 Paul was the Director, Music at Australia Council for the Arts, leading the design and implementation of strategies and funding programs for music. Since 2019 he has worked independently advising artists, organisations, government and industry clients on strategy, project management and business planning. In addition, Paul is the manager of composer, performer and cultural leader David Bridie. Paul is also a Director of the Peggy Glanville Hicks Composers House Trust, and the City Recital Hall Sydney. Paul was a board member of Sydney’s Radio FBi 94.5 from its establishment to the year 2000 when the station was awarded its permanent broadcast license. Between 2004-2007 he was Chair of Music NSW, the state-based contemporary music service organisation.
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Janet Carey
Janet Carey holds a B.Mus in Euphonium from the Elder Conservatorium of Music, along with a Grad. Dip in Communications and a Master of Management (Arts & Cultural) from UniSA. She has worked in the independent education sector in Marketing and Development and has held arts management roles with the Adelaide Symphony Orchestra and Chamber Music Adelaide. Janet is currently the Creative Partnerships Program manager at Country Arts SA.
A passionate advocate for community participation in, and access to music and the arts. Janet is a Life Member and the current President of the Kensington & Norwood City Band.
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Jim Hunwick
LLB
Jim Hunwick is a finance lawyer and is a partner at international firm Pinsent Masons, based in Sydney. He has governance experience, having management positions in law firms for an extended period. Jim’s client work involves acting as a legal advisor on debt finance matters for significant listed and unlisted Australian corporations.
Jim’s passion for music began with the piano at age 4, followed soon by violin.
Established in 2008, the Soundstream Board demonstrates expert governance, with its members selected for their high standing and proven expertise in the diverse professions of arts, Aboriginal affairs, academia, accounting, business, law, politics and philanthropy.
The Board also draws on the expertise of its Indigenous advisors.
Governance
L-R: Inarma Choir members and Soundstream advisors Janie Wells, Lorna Wilson and Patricia Boko.
Our Advisors
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Lorna Wilson
Lorna was born in Titjikala Community, and is a Cultural Adviser and teacher of the Pitjantjatjara language. For over 20 years Lorna has taught language and Cultural Awareness to Central Land Council, Mining Companies, Alice Springs Town Council and the Emergency Department at the Alice Springs Hospital. Lorna taught language to trainee school teachers for the SA Education Department and taught trainee teachers and nurses Cultural Awareness and language at Monash University. Lorna also taught Interpreter Training to her own people which was recognized by the national body NAATI (National Accreditation Authority for Translators and Interpreters Ltd). -
Patricia Boko and Janie Wells
Patricia and Janie are Elders in the The Inarma Choir, which has a rich choral tradition celebrating their traditional and Lutheran heritage in Pitjantjatjara/Yankunytjatjara. Formerly the Titjikala Community Women’s Choir, the Choir have been singing together for forty years. In 2018, the Inarma Choir performed a concert, Tjungu Pakani – Together We Rise – alongside an exhibition of their stunning silk batik fabrics at Ayers House, and in 2022, at the State Library in Adelaide. The Choir also conducted public art and singing workshops. The Choir has also performed in Melbourne at the APRA AMCOS Art Music Awards in 2019. They are also gifted artists, acclaimed for their unique silk screening and batik practice.
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Professor Barry Judd
Professor Judd is Pro Vice-Chancellor (Indigenous) and Director of the Indigenous Studies Program in the School of Culture and Communication at the University of Melbourne. The DVC (Indigenous) collaborates with the University community and closely with Aboriginal and Torres Strait Islander peoples and communities to lead the development and realisation of the University's Indigenous-focused aspirations. This includes cultivating a culture in which Indigenous knowledges, histories, cultures, and perspectives are not only recognised, but also celebrated, advocated for, and actively engaged in research and education.