LISTEN TO THE 2014 FINALISTS COMPOSITIONS:
Performers Melanie Walters (flute), Anna Coleman (clarinet), David Moran (cello) and Leah Blankendaal (electronics) invite you to an afternoon of improvisation exploring timbre, space and time. From static to breathe tones, silence and noise, this very special performance will utilize the full range of each instrument in an immersive setting.
Sunday October 9, 5-7pm
82 Cremorne St. Malvern (off Cambridge Tce)
Entry by donation
Wines by Simon Hackett
“The mind … can make a heaven of hell, a hell of heaven”.
Book I, John Milton, Paradise Lost (1674)
In an exclusive world premiere performance, sound artist, Chris Williams, uses cutting edge technology developed with leading audio researchers in Livorno, Italy, to create a listening experience unique to each audience member in the stunning architecture and acoustic of the Samstag Museum.
Thursday September 29, 6.30pm
Samstag Museum of Art, 55 North Tce.
John Milton’s epic poem Paradise Lost (1674) sealed his reputation as one of the greatest English poets of his time. Milton’s purpose was ‘to justify the ways of God to men.’ William’s adaptation, Sympathy for the Devil, created in collaboration with researchers at the cutting edge of spatial audio technology in Italy, is an exciting development in live radiophonic performance using immersive audio technology that will create a unique listening experience.
Christopher Williams, sound artist
Paul Blackwell, Ksenja Logos, and Rory Walker, actors
60 minutes duration with no interval
Anne & Gordon Samstag Museum
University of South Australia, 55 North Terrace, Adelaide
T 08 8302 0870, unisa.edu.au/samstagmuseu
Tickets: Adult $45 / Conc $15
Insert text from attached document on Sympathy for the Devil
ON THE TERRACE: A musical exploration
FREE TO THE PUBLIC – NOON TO 4PM
Take a stroll along North Terrace, between the Art Gallery of South Australia, South Australian Museum and State Library of South Australia, on Sunday 16 October and hear chamber musicians in solos, duos and trios, performing an intimate collection of 15-minute recitals between noon and 4pm. Their diverse programs reflect and complement the settings, drawing inspiration from the galleries, exhibits and collections of the North Terrace cultural boulevard.
Click to download pdf of Program/Map with details of individual artists and their performance schedule in each venue.
ART GALLERY OF SOUTH AUSTRALIA Ensemble Galante and Various People Inc
STATE LIBRARY OF SOUTH AUSTRALIA Kegelstatt Ensemble and The Firm
SOUTH AUSTRALIAN MUSEUM Recitals Australia and Soundstream
Blue Touch series – Grand Silence
Sunday, September 11, 5 –7pm
The Studio, 82 Cremorne St., Malvern, off Cambridge Tce
Tickets at the door: $15
Simon Hackett wines will be provided
There is no such thing as silence. Something is always happening that makes sound.
Grand Silence uses as its departure point Jonty Semper’s landmark recording, Kenotaphion. In Kenotaphion, Semper spent four years collecting every surviving recording of the two-minute silences at the Armistice Day and Remembrance Sunday ceremonies at the Cenotaph in London. The earliest is from a British Movie-tone newsreel of 1929.
Derek Pascoe, Brad Cameron and Gabriella Smart have created an hour long improvisation exploring the unfolding qualities of sound, within this emotive and charged political context.
Help us to support the Project with your tax- deductible donation. Due to its inaccessibility, Titjikala Community does not currently have music tuition. Soundstream will facilitate the employment of a teacher to visit the community to give regular music lessons, towards long-term performance projects.
The Titjikala Project has been endorsed by the Australian Cultural Foundation (ACF).
Donations can be made through the ACF website: www.australianculturalfund.org.au/projects/titjikalaproject
What Is the Titjikala Project
Gabriella Smart has a 50 year connection with Titjikala Community through her foster brother, Lincoln Boko, and his family. The Titjikala Project is an initiative by Titjikala Community (NT) in partnership with Soundstream that aims to address crucial concerns and key future aspirations of this remote Aboriginal community through a holistic approach that is centred on cross-cultural music making.
The Project’s vision is to develop a sustainable and long-term culture of empowerment and dignity through arts for health, with the Titjikala community. It builds on several previously successful projects that demonstrate the capacity of this community to achieve meaningful and positive outcomes if given the necessary level of support.
In recent years, Titjikala has increasingly become recognised as a community that possesses the people and leadership potential required to address the significant social and economic issues facing Anangu peoples living in remote communities in the Northern Territory. This is reflected in their significant and long-term partnership with Tidy Towns. This association began in the 1990s and culminated in 2013 and 2014 with Titjikala being named the Territory Tidy Town. In 1999, Titjikala School was awarded the Garth Boomer Award (honouring the memory of Garth Boomer, who promoted the cause of collaborative teaching and learning).
Respected Aboriginlal and other artists will be invited to develop events in full consultation with the community, including Warren H Williams, Trevor Adamson, Gurrumul Yunupingu, APY Choir, Elena Kats Chernin, Cathy Milliken, Derek Pascoe, Jon Rose, and Meryl Tankard.
The development of a Ruined Piano Sanctuary at Titjikala not only provides locals with a community park to gather in the evenings (at present no such location exists), but a ready-made outdoor amphitheatre for music events, drawing tourists, visitors from Alice Springs and the local population.
Artistic Director of Soundstream, Gabriella Smart, has an enduring connection with the Community spanning 50 years. In her own words, Smart outlines her vision of the Project:
“I envisage empowerment of the Titjikala Community, spanning a generation or more, through engagement with the arts that reflects the spiritual beliefs and aspirations of the community. This transformation is not limited to the education, creation, performance and touring of music. It will develop the infrastructure of the community to create employment opportunities through tourism and audience development.
It will allow members of the community to engage with the outside world on their own terms, with the confidence that comes of education and practical advocacy; to have cultural engagement with others that places their own culture at the centre; and to put Titjikala on the map. The outside world will know the community through their rich culture, creativity, success, and strength.”
About Titjikala Community
Titjikala is a small Aboriginal community located approximately 110 kilometers south of Alice Springs on the route of the Overland Telegraph Line (1872); the Great Northern Railway (Ghan) line (1926-1980) and the present day 4×4 tourist routes to Chambers Pillar. Titjikala community has a population of around 200 people made up of a number of Anangu groups including Pitjantjatjara, Yankunytjatjara, Luritja, and Southern Arrernte people.
Titjikala has struggled to overcome issues associated with unemployment and the negative social characteristics that emerged in this context: alcoholism, family violence, poor educational outcomes and a culture of passive welfare entitlement. Despite these setbacks, the people of Titjikala have demonstrated a strong desire to break free of this cycle and to empower their future.
Unley Physiotherapy has become a proud sponsor of the Titjikala Project.
They are sourcing second hand instruments for the community, and supporting a campaign to raise money for music lessons through the Australian Cultural Foundation.
Soundstream Emerging Composers Forum, presented by Soundstream and the Musicological Society of Australia
Wednesday November 30, 7.30pm
Studio 520, ABC Collinswood Centre, 85 North East Road, corner Rosetta Street, Collinswood SA
Soundstream presents five world premieres by Australia’s exciting new generation of leading composers. The sublime voices of Deborah Kayser and Anthony Zatorski will be complemented by cello, clarinet, and toy/prepared piano. After the concert, three of the composers will be awarded $5000 commissions, the highest awards for emerging composers in Australia.
Broadcast partner, ABC Classic FM
Deborah Kayser Soprano
Anthony Zatroski Baritone
Mitch Berick Clarinet/Bass Clarinet
Simon Cobcroft ‘Cello
Gabriella Smart Toy Piano/Prepared Piano
Admission free, registration required at TRYBOOKING
Further information: www.soundstream.org.au
Go to “Listen & Watch” and relive the George Crumb masterpiece:
“Music for a Summer Evening” (Makrokosmos III) (1974 ) in 5 movements
Performed by Soundstream Collective- Elder Hall, Adelaide, South Australia July 23 2015
Tamara Anne Cislowska & Gabriella Smart – Pianos
Amanda Grigg & Andrew Penrose – Percussion